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^ the Every day Telegraph’s critique of Yeomen said, “The accompaniments… are pleasant to hear, and particularly does the treatment of your woodwind compel admiring attention. Schubert himself could barely have dealt with those instruments much more deftly. …We now have a real English opera, forerunner of many Other individuals, let’s hope, and possibly major of an progress toward a nationwide lyric phase.
[eighteen] Nonetheless, instead of copying the style of Offenbach, the operettas of Strauss II had distinctly Viennese flavour to them, which have cemented the Strauss II’s put as Probably the most renowned operetta composers of all time.
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